Broadway’s weekly grosses climbed sharply as four fall openings began previews, lifting the 31-show total to $39,416,736 — roughly a 25% gain from the prior week when 27 productions were playing.

Hamilton, now in its tenth year on Broadway, set a new single-week record with $4,042,906 in ticket sales, fueled in part by the limited return engagement of original cast member Leslie Odom Jr. (through Nov. 26).

New arrivals made strong first impressions: Ragtime earned $1,122,255 in previews at Lincoln Center’s Vivian Beaumont (opening Oct. 16), while The Queen of Versailles, led by Kristin Chenoweth and F. Murray Abraham, sold out four previews at the St. James for $775,752 (opening Nov. 9).

The return engagement of Beetlejuice also drew big crowds, filling 93% of seats at the Palace and grossing $1,163,235 across seven performances (it did not run previews).

Two new plays began finding their audiences: Liberation played to 60% capacity at the James Earl Jones for $196,192 in seven previews (opening Oct. 28), and Little Bear Ridge Road launched previews at the Booth with $371,635 at 83% capacity (opening Oct. 30).

After Hamilton, the week’s top grosses were Wicked ($2,542,300), The Lion King ($2,272,236), Waiting for Godot ($1,823,751) and Art ($1,764,317 in a nine-performance week).

Several productions reported sell-outs or near sell-outs, including Art, Buena Vista Social Club, Death Becomes Her (which posted a best-ever weekly gross of $1,608,670 in its second year), Hadestown, Hamilton, Just in Time, Mamma Mia!, Maybe Happy Ending, Oh, Mary!, Ragtime, The Lion King, The Queen of Versailles, Waiting for Godot and Wicked; The Outsiders reached 99% capacity.

Notable week-over-week jumps included Aladdin, up $255,513 to $1,378,523; Hadestown, up $253,889 to $1,048,751; and Harry Potter and the Cursed Child, up $338,116 to $1,278,501.

Just in Time, starring Jonathan Groff, continued to play above capacity (104% at Circle in the Square), grossing $1,361,779 with many standing-room patrons.

Highest average ticket prices this week were Hamilton ($376.01), Just in Time ($238.32) and Waiting for Godot ($234.05); the overall average across all 31 shows was $142.49.

Total attendance for the week ending Oct. 12 — which included the Indigenous Peoples’ Day/Columbus Day weekend — was 276,625, an 18% increase over the prior week and 9% higher than the same week last year.

Through the 20th week of the 2025–26 season, Broadway has grossed $680,417,662 year-to-date, up about 11% from this point last season, with cumulative attendance of 5,291,969 (up 6%).

All box-office figures reported by the Broadway League.

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